rg.ambi~ B-Format Soundfield Manipulations

rg.ambi~ patches now account for b-format soundfield manipulations: rotate, tilt, tumble, and rotilt. Download: http://rickygraham.net/puredata/rg.ambi~.zip Additional Reading: http://www.york.ac.uk/inst/mustech/3d_audio/ambis2.htm http://www.blueripplesound.com/hoa-introduction http://www.blueripplesound.com/b-format http://www.blueripplesound.com/decoding Find an Error / Bug? ricky at rickygraham dot net

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SEPTAR V2

In 2011, we set out to ‘hack’ MIDI guitar pickup systems and enable access to the audio outputs of the individual strings of a guitar. These MIDI guitar pickup systems generally sense string activity with piezo transducers, which can be used as accurate microphones if amplified correctly. Design Choices There are many ways to create […]

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rg.ambi~ Ambisonic Abstractions for Pure Data (Pd)

Download Link: rg.ambi~.zip What’s in the .zip? – Encoders for 1st, 2nd, and 3rd order ambisonic panning – Based on Furse-Malham (“FuMa”) coefficients – Decoders for stereo, quad, 5, and 8-channel loudspeaker arrays Additional Reading: http://www.blueripplesound.com/hoa-introduction http://www.blueripplesound.com/b-format http://www.blueripplesound.com/decoding Find an Error / Bug? ricky at rickygraham dot net

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Divergence Press (Issue 3) – Spatial Sound: Creative Practice in Electroacoustic Music

Issue 3 of Divergence Press (Centre for Research in New Music at the University of Huddersfield) is now available. This issue provides a range of technical and aesthetic perspectives on the creation and perception of contemporary spatial electroacoustic music. This issue was edited by Professor Eric Lyon (Virginia Tech). My article with Dr. Brian Bridges […]

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